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সিনেমা ঘর Download (2k/4k Full HD)
Initial release: December 21, 2023
Director: Rajkumar Hirani
Budget: 1.2 billion INR
Producers: Rajkumar Hirani, Jyoti Deshpande, Gauri Khan, Gaurav Verma
Production companies: Red Chillies Entertainment, Rajkumar Hirani Films Pvt. Ltd, More
Music composed by: Aman Pant, Pritam Chakraborty, Shekhar Ravjiani
Screenplay: Rajkumar Hirani, Kanika Dhillon, Abhijat Joshi
Movie Review :
The super star likely earns another super hit with Rajkumar Hirani's latest feature, which packs in multiple genres and messaging in the director's signature style.
nge their family’s legacy.
Reality shines through day-by-day; that supposedly civilized countries are plagued by their own issues, that predominantly white spaces aren’t always safe for people of color, that moving to a new city or country anywhere in the world means struggling to build that life and questioning the whole endeavor.
All of this comes to light in Rajkumari Hirani’s “Dunki,” a story ostensibly about the treacherous trek across nations, but more intriguingly about the dream dangled at the end of those treks — and whether it’s a dream at all, but a lie.
The title “Dunki” refers to “donkey-flights,” or the practice of people migrating without documentation from one country to another, risking deportation and death every step of the way. As the opening and closing title cards stress, borders and visas penalize the poor. “Dunki” begins in the present, when Manu (Taapsee Pannu), Balli (Anil Grover), and Buggu
(Vikram Kochchar) are graying with age in London but desperate to go back home to Punjab. They can’t get visas, so they seek out the help of Hardy (Shah Rukh Khan), who helped them make the perilous trek from India 25 years ago.
Dunki” marks Shah Rukh Khan’s third major release of 2023, following January’s “Pathaan” and September’s “Jawan,” after five years not leading a feature — and likely another box office win (though it’s tracking behind Prabhas’ “Salaar” in the U.S. and parts of India). Hirani’s last three films broke existing records for the highest-grossing Indian film, and even if “Dunki” doesn’t, the actor-director combination alone guarantees a baseline profit.
Hirani loves to make a film with a message — particularly one in which characters repeatedly declare the message in voiceovers, monologues, and songs. “Dunki” is no different, its pacing often interrupted to make sure the audience is up-to-speed on themes before moving on. The forward momentum suffers from this, and from sections that are quickly explained via narration but otherwise skipped over (for unknown reasons, the chosen narrator is Buggu). For a film called “Dunki,” the actual journey comprises maybe half an hour of the runtime, again with huge swathes inexplicably omitted.
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